Otomo Kyoichi works at an advertising company. He has an indecisive personality. Even though he is married, he repeatedly has affairs. One day, a man appears in front of Kyoichi. The man is Imagase Wataru. Wataru graduated from the same university as Kyoichi. It's the first time they have met since Kyoichi graduated. Wateru currently works for a jack of all trades agency that does anything for their customers. He is sent by Kyoichi's wife to investigate whether Kyoichi is having an affair. Wataru tells Kyoichi that he has liked him for the past 7 years. He also tells Kyoichi that he wants to have a sexual relationship with him and in return, he won't tell his wife about his infidelity. (Source: AsianWiki) ~~ Adapted from the manga "Kyuso wa Chizu no Yume wo Miru" by Setona Mizushiro. Edit Translation
Cast & Credits
Very powerful movieI really enjoyed this movie. It felt dark, and gritty. I loved the characters, even with all their flaws and insecurities. I really felt the emotional turmoil from Wataru. I enjoyed seeing Kyoichi’s journey to find himself, and figuring out what true love really is. I liked the symbolism of him sitting in the chair, like now HE’S the one waiting... This movie is raw, heartbreaking at times, and beautifully performed. The sex scenes between the two characters really revealed their inner passions, and they felt like the most honest, and emotionally revealing scenes in the movie. Both actors did a fantastic job. This movie is about finding yourself, having the courage to accept who you really are, finding love, or rather recognizing love when you’ve found it, and the heartbreaking journey to love and accept the one who is right for you. I loved it! The actors are hot, and the sex scenes are also hot, and beautifully heartwarming at the same time. It was absolutely beautiful. I definitely recommend watching this movie.
A story of a cat and a cornered mouseNote: This character-driven movie has explicit sexual content and nudity.
STORY (No spoilers)
What happens when a cat who fell in love with a promiscuous mouse long ago decides to back it into a corner? Both are from different worlds and both come with their own personal baggages. Can they make it work?
I've read the manga on which the movie was based - it's one of my favourites because the main characters in it were incredibly flawed and insecure people but their insecurities and issues were just so relatable and understandable, I found myself immersed in their characters and in their story. Now, as an adaptation of the manga itself, I'd give this movie a 65% score in terms of its closeness to the original work i.e. it was generally faithful in broad strokes and in some detailed places, but there were still fairly noticeable differences, especially in terms of character vibe and personality and in some event modifications. Hence, I can understand why fans of the manga might feel disappointed or dissatisfied with this adaptation.
However, I'm going out on a limb here to say that I actually still appreciated this work despite the changes made to it. The movie had none of the internal monologues of the original but through the way scenes were presented and acted, we could still understand the internal turmoil and struggles of the characters and their changing perspectives/ feelings and that was a personal testament that both the acting and the direction of the movie was excellent.
There were also quite a few things about this movie that really fascinated me - some of the dialogue, the choice and arrangement of certain scenes, the camerawork, the use of imagery, lighting and sound, etc. The way it was filmed and presented gave off a gritty, moody, sometimes lonely and desolate vibe, and there was something about the whole combination that made me come away from this movie feeling this interesting mix of unsettled yet at peace, curious yet satisfied, sad yet happy. It's a movie that somehow struck certain chords with me and resonated in a curious way.
The best analogy I can give for my experience of this movie was like listening to a piece of music being played in minor key - the melody has certain notes and chords which give the piece a sort of asymmetrical form or disharmonic sound, but the overall tune still flows as a cohesive melodic piece which somehow evokes a myriad of feelings for the listener after it's all finished. It was beautifully haunting to me.
OKURA TADAYOSHI as Ootomo Kyouichi. He played a rather different Ootomo vis-a-vis the manga.
Manga!Ootomo was sort of your weak-willed-straight-guy - too accommodating, too eager to please and too easily seduced by women. Movie!Ootomo was a lot more reserved and inscrutable, more introverted and quiet, hiding a lot of thoughts underneath a silent facade. Viewers who don't know about Ootomo's background, habits and tendencies will probably find this movie!Ootomo to be very difficult to read or understand, and sometimes, even I had to pause a scene or rewatch it to try and figure out what was going on inside movie!Ootomo's head.
But, to be fair, if one takes the time to observe a little closely and to put his actions into the movie context, I found that movie!Ootomo was a very interesting and enigmatic character whose inner thoughts can actually be perceived through his actions (or non-actions, as it were). It's like, you can almost see the wheels in his head turning as he observes the situation and the people around him, especially Imagase, and internally forming his own conclusions and decisions. I liked this very subtle and nuanced portrayal.
NARITA RYO as Imagase Wataru. Again, another different portrayal from the manga counterpart.
Manga!Imagase was a very cold, aloof and well-dressed man who, only in Ootomo's presence, would become hysterical and paranoid due to his insecurities and fears. Movie!Imagase had a more laid-back and Bohemian vibe but I liked how you could so totally see his constant desperation and insecurities over Ootomo which he tries so hard to hide beneath a lackadaisical and nonchalant facade. His constant questioning and inquiring, his constant snooping and monitoring, totally expose his paranoia and his fear, and personally for me, some of Imagase's scenes were particularly beautifully directed and shot to show just how lonely and forlorn and pained he felt at times. I liked how the actor Narita Ryo was able to give off this fragile feeling during the key moments of the movie.
Honestly, this was the least memorable part for me. Very subtle soundtrack and score which is probably very suitable for the subdued and muted mood of the film.
If you're not too put off by the disappointing adaptation or by the fickleness and weirdness of the characters, I'd like to encourage you to consider rewatching because I personally found that I understood a lot of the hidden and subtle messages and scenes better upon a rewatch, and that made the movie even more fascinating and interesting to me.
The movie might feel a bit abrupt and truncated vis-a-vis the manga but it still a complete cohesive piece and I found the choice of certain scenes and the way the whole thing was directed gave this movie a very different style, tone and story from its original work, and I personally appreciated its almost indie-like feel.